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Visitor, 2025 Acrylic on canvas 51 x 72 inches

Visitor, 2025
Acrylic on canvas
51 x 72 inches
 

JoAnne Carson Switchback, 2025 Acrylic on canvas 48 x 58 inches

Switchback, 2025
Acrylic on canvas
48 x 58 inches

JoAnne Carson Misericordia, 2024 Acrylic on canvas 48 x 60 inches

Misericordia, 2024
Acrylic on canvas
48 x 60 inches

JoAnne Carson Hothouse, 2025 Acrylic on canvas 48 x 60 inches

Hothouse, 2025
Acrylic on canvas
48 x 60 inches

JoAnne Carson Cosmic Chatter, 2025 Acrylic on canvas 42 x 50 inches

Cosmic Chatter, 2025
Acrylic on canvas
42 x 50 inches

The Devil’s Heart Throb, 2024 Acrylic on canvas 48 x 58 inches

The Devil’s Heart Throb, 2024
Acrylic on canvas
48 x 58 inches
 

Spring Thaw, 2017 Acrylic on museum board 20 x 26 inches

Spring Thaw, 2017
Acrylic on museum board
20 x 26 inches

Snow Day, 2018 Acrylic on paper 26 x 31 inches

Snow Day, 2018
Acrylic on paper
26 x 31 inches

Magnetic Attraction, 2022 Acrylic and collage on museum board 18 x 21 inches

Magnetic Attraction, 2022
Acrylic and collage on museum board
18 x 21 inches

A Sudden Storm, 2022 Acrylic and collage on museum board 18 x 21 inches

A Sudden Storm, 2022
Acrylic and collage on museum board
18 x 21 inches

Blue Bonnet, 2022 Acrylic, pencil, and collage on museum board 16 x 20 inches

Blue Bonnet, 2022
Acrylic, pencil, and collage on museum board
16 x 20 inches

Lasso the Sky, 2024 Acrylic on board 11 x 14 inches

Lasso the Sky, 2024
Acrylic on board
11 x 14 inches

Digging Out, 2015 Charcoal and pastel on paper 25 1/2 x 19 1/2 inches

Digging Out, 2015
Charcoal and pastel on paper
25 1/2 x 19 1/2 inches

Orange Sun, 2012 Charcoal and pastel on paper 25 1/2 x 19 1/2 inches

Orange Sun, 2012
Charcoal and pastel on paper
25 1/2 x 19 1/2 inches

Press Release

DC Moore Gallery is pleased to present JoAnne Carson: Cosmic Chatter, the artist’s debut exhibition with the gallery. Working across two and three dimensions, with new paintings, related collages and drawings, and a large-scale sculpture, Carson’s new body of work offers exuberant visions of life on the cusp of another world.  

Over the last few years, JoAnne Carson has focused on the forms of trees, creating hybrid creatures that shift between human, plant, and animal. Evoking the ambiguity of life in the Anthropocene, where borders between natural and synthetic have collapsed, Carson invents new forms, each tree its own speculative universe. The trees are characters bestowed with agency and energy, projecting certain personalities or animistic power.

In 2011, Carson began cultivating an elaborate garden in Vermont, with topiaries, fruit trees, and perennials planted on a steep slope. When she first began gardening, she focused only on the area that she could view from the window, which framed the space as a composition. Functioning as immersive sculpture, laboratory, and a study for a painting, the life force of the garden has permeated Carson’s paintings.

The sculpture Chlorophyllia (2017) is a free-standing bouquet figure, a tree character from her paintings realized in three-dimensions. In contrast to the paintings, these floral forms are all in shades of white, resembling a fossilized or skeletal figure. The hybrid plant form is bursting with life, however, the monochrome palette also suggesting newness or potential transformation.

The recent paintings reflect the frenzied energy of contemporary life, the enchanting and overwhelming qualities of our visually supercharged environments. In two large diptychs, Carson explores the simultaneity of a split screen, mirroring the experience of simultaneous digital feeds, tabs, windows, which compete or cohere. Night and day, dawn and dusk appear next to each other in the same sky, evoking a sense of wonderment.

An illustrated catalogue with an interview of JoAnne Carson by David Rimanelli accompanies the exhibition.

JoAnne Carson’s work has been shown in numerous solo exhibitions including The Modern Art Museum of Fort Worth, Texas; The Museum of Contemporary Art in Chicago, Illinois; and the Zillman Art Museum, Bangor, Maine. She has participated in notable group exhibitions at institutions such as the Whitney Biennial Exhibition, New York; the New Orleans Museum, Louisiana; the Buffalo AKG Art Museum, New York; the Institute of Contemporary Art, Philadelphia; and the Sheldon Art Museum in Lincoln, Nebraska. Carson is the recipient of many awards, including a Guggenheim Fellowship, the Rome Prize from the American Academy in Rome, the Louise Bourgeois Residency from Yaddo, and an individual artist grant from the National Endowment for the Arts. Born in New York City, Carson splits her time between Brooklyn, New York, and Shoreham, Vermont.

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