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Press Release

Barbara Takenaga: Last Blue Wheel
May 1 – June 6, 2009

DC Moore Gallery is pleased to announce that we are representing Barbara Takenaga. The opening of Barbara Takenaga: Last Blue Wheel marks the first presentation of the artist’s work at the gallery. With these recent abstractions, realized in a palette of cool blues and greens, Takenaga extends elements of her hallmark style and confirms the commitment to her intensive process.

Working in acrylic on wood panel, Takenaga arranges the simple components of her paintings, predominantly small dots and lines, into stunningly detailed compositions that undulate, radiate, and recede in seemingly infinite space. The dazzling repetition of forms suggests the inherent, yet sometimes incomprehensible, logic of both the cosmic and the cellular, while spontaneous twists and puckers preserve the elements of wonder and surprise. Crisp, saturated color defines each discrete element in the tightly woven, tessellated work. Takenaga explains, “I want the work to be elegiac, evocative and occasionally funny, with some visual buzz and sensation.”

This mesmerizing imagery and color provokes intense and otherworldly responses by suspending our notion of time and complicating our understanding of place, much like falling, floating, flying, or dreaming. Takenaga’s paintings are universes unto themselves in which to wander aimlessly, hypnotized by pulsating color, sucked toward vanishing points that could be light years away, or swept up in dense whirlpools of orbs and pinwheels. The intricacy and immediacy of these works prompted David Cohen to write in the New York
Sun that Takenaga is “an image crafter of formidable power” whose process involves “staggering feats of patience and mental organization.”




A highlight of the exhibition, Langwidere offers insight into concerns underlying Takenaga’s work. The piece comprises thirty individual panels, 12 x 10 inches each, which are arranged to recall the calendar grid representing the days of the month of April. Resulting from a self- imposed system in which the artist attempts to create the same painting thirty times, the panels in Langwidere can be differentiated by the subtle variations that insinuate themselves into the work. The piece references the character Langwidere from the Oz Series by L. Frank Baum, whose unique anatomy – a different head for each day of the month –resonates with Takenaga’s interest in the relationship between concepts of the one and the many.

Barbara Takenaga is the Mary A. and William Wirt Warren Professor of Art at Williams College, a position she has held since 1985. She divides her time between Williamstown, MA, and New York City, where she maintains a studio. Her work has been exhibited at Mass MOCA, North Adams, MA; the Museum of Contemporary Art, Denver; and the National Academy Museum, New York. In 2008 she received the Eric Isenburger Annual Art Award from the National Academy Museum.

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