Summer Heat
June 22 – August 10, 2023
Impact, 1960s
Oil on linen
27 1/2 x 37 1/2 inches
Aspen, 1966
Oil on linen
32 x 38 inches
Cascade, 1960s
Oil on linen
36 x 47 3/4 inches
Intermezzo, 1973
Oil on linen
28 3/4 x 36 inches
Nebulous Outcome, 2017
Oil on canvas
24 x 24 inches
Dorian Grey in Orchid Land, 2011
Oil on linen
62 x 54 inches
Phoenix, 2001
Oil on linen
23 x 28 inches
Long Spasm, 2008
Oil on linen
36 x 28 inches
Grotto, 2011
Oil on linen
31 x 23 inches
Bouquet Under Siege, 2018
Oil on canvas
24 x 30 inches
Cream Puffs, 2017
Oil on linen
20 x 24 inches
The Mango Daiquiri Contract, 1994
Oil on canvas
57 1/2 x 46 inches
Storm, 2013
Oil on linen
19 x 22 inches
Acquarium, 2008
Oil on linen
32 x 32 inches
Climate Change, 2017
Oil on canvas
30 x 32 inches
The Sphinx in Hell, 1996
Oil on linen
22 x 30 inches
Autumn Frolics, 1997
Oil on linen
22 x 30 inches
Blue Probes Winter, 1998
Oil on linen
22 x 30 inches
Rococo Spring, 1998
Oil on linen
22 x 30 inches
Creatures from the Orange Lagoon, 2002
Oil on linen
38 x 48 inches
Born in 1933 in Chicago, Max Kozloff moved to New York City in 1959. He was the art critic for The Nation from 1961-68 and contributing editor to Artforum from 1963 to 1974, and later Artforum’s Executive Editor through 1976. Recognized today as an eminent writer in the world of art history and criticism, he is known for insightful essays on both historic and contemporary art, and particularly photography.
Kozloff’s numerous publications include Cubism/Futurism (1973), Photography & Fascination (1979), The Privileged Eye (1987), New York Capital of Photography (2002), The Theatre of the Face: Portrait Photography Since 1900 (2007), Vermeer: A Study Contrasto (2011), as well as monographs on Jasper Johns (1969, 1972), Duane Michals (1991), Peter Hujar (1994), and Saul Leiter (2014). A book on Kozloff’s photography New York Over the Top, was published in 2013.
